The materials sculptor Sam Deal uses in his works are reliant on the essence and attitude instilled in the collected objects.  Individually the objects remain inanimate shapes and forms, inert and without rationale.  Yet when crafted and embodied into co-existing relationships, these very same objects burst forward as entities (occasionally anthropomorphic), speaking of their nature, edifying their purpose and revealing their intrinsic beauty and worth.

As an extension of this transmogrification, Deal’s sculptures encourage and reward the more curious observer who interacts with the piece.  Their reward is the delight of becoming engaged in the elemental movement of various components of what is essentially a static form.

The mystery and magic of peculiar raw materials and unique objects begs Deal’s close inspection and keen exploration.  Exposing the often remarkable and unseen inner workings and componentry of machinery inspires Deal to re-contextualise these objects and parts.  As he says, “I rarely commence with a finished concept in mind.  I much prefer being open to the creative process and the manner in which the objects naturally dictate how the piece evolves.  Anything has potential to be used in a sculpture if it has a distinctive form or quality.  I particularly enjoy altering their original function and transforming their existence.”

Embedding a unique personality into each work permits Deal to poignantly, and often humorously, confront pre-conceived ideas of what constitutes sculpture, particularly that which is static.  The kinetic and driving energy that courses through the metallic veins and re-defined steel mechanisms reinforces the artistic desire to combine materials and kinetic elements in a different and stimulating way.  It’s Deal’s homage to sculptural works that honour the inherent character and journey of objects and forms.

As Deal’s body of work has developed and progressed so has the range of intricacy, complexity, interaction and engagement.  Although this confluence of slants demands greater artistic attention to design detail there always remains the compelling authority and sway of the individual parts and components in the completed constructions and adaptations.  This is the significance of the creative process for Deal.

What becomes apparent is many works are influenced by his personality and personal circumstances.  Growing up in the country without utilities and services meant existing with an awareness of his immediate environment (at aged just 14 he rigged up a solar system for his bedroom providing him with light, music and power for his electronic contraptions while his parents were still using gas lighting.)   It is unsurprising that today his workshop is solar-powered; yet it was a decision centred on challenging himself to work with the environment, as an integral part of his creative practice, rather than to be politically correct or self-righteous.  “Using solar power and re-cycling found objects and constantly challenges my resourcefulness, imagination, skills and working methods.  I find this very rewarding in my practice and essential to the creative process.”

Mark Cowie

Sculptor

BA, MA, Dip Eng